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Radnorshire Fine Arts Ltd
Tel01597 272 439Please quote Antiques Atlas.
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Pauline Diana Baynes (1922-2008)
A Dictionary of Chivalry
Each signed in pencil Pauline Baynes
Pencil and gouache on thick wove paper (2)
Presented together in one single mount
Illustrated A Dictionary of Chivalry / Grant Uden 1968 / (pages 326 & 327)
Baynes illustrated many authentic medieval stories, all of which show her painstaking research into the detailing of period costume and architecture. Her greatest triumph in this genre were her almost 600 illustrations embellishing the margins of Grant Uden's A Dictionary of Chivalry (1968), a two-year labour that earned her the coveted Kate Greenaway Medal. Pauline Baynes was born in Hove, Sussex. For a few years she was raised in India, where her father was commissioner in Agra, but she and her elder sister were sent back to England for their schooling. She spent much of her childhood in Farnham, studying at the Farnham School of Art (now the University for the Creative Arts and eventually attended the Slade School of Fine Art, but after a year there she volunteered to work for the Ministry of Defence, where she made demonstration models for instruction courses. This work did not last long. She was soon transferred to a map-making department, where she acquired skills that she later employed when she drew maps of Narnia for Lewis and of Middle-earth for Tolkien. Baynes is probably best known for her covers and interior illustrations for The Chronicles of Narnia by C. S. Lewis, seven books published, one volume a year, from 1950 to 1956 (the first five by Geoffrey Bles, the last two by The Bodley Head). Years later she provided some new illustrations for The Land of Narnia Brian Sibley Explores the World of C. S. Lewis (HarperCollins, 1998), by Brian Sibley. (According to a School Library Journal review, "the artwork includes full-page illustrations in glowing color".) When she began work on the Narnia books she was already the chosen illustrator of Lewis's friend and colleague J. R. R. Tolkien. In her obituary for The Daily Telegraph Charlotte Cory described how Baynes and Tolkien came to be associated In 1948 Tolkien was visiting his publishers, George Allen & Unwin, to discuss some disappointing artwork that they had commissioned for his novella Farmer Giles of Ham, when he spotted, lying on a desk, some witty reinterpretations of medieval marginalia from the Luttrell Psalter that greatly appealed to him. These, it turned out, had been sent to the publishers "on spec" by the then-unknown Pauline Baynes. Tolkien demanded that the creator of these drawings be set to work illustrating Farmer Giles of Ham and was delighted with the subsequent results, declaring that Pauline Baynes had "reduced my text to a commentary on her drawings". Further collaboration between Tolkien and his Farmer Giles illustrator followed, and a lifelong friendship developed ... Later, when she showed him her artwork for a poster featuring Frodo and Bilbo Baggins, the author nodded approvingly and murmured quietly "There they are, there they are." Eventually drawings by Baynes appeared not only in Farmer Giles of Ham, but also in The Adventures of Tom Bombadil, Smith of Wootton Major, Tree and Leaf and (after the author's death) the poem Bilbo's Last Song, which appeared as a poster in 1974 and as a book in 1990. Baynes also painted the covers for two British paperback editions of The Lord of the Rings (in one volume in 1973 and in three volumes in 1981) and produced illustrated poster versions of the maps from The Lord of the Rings and The Hobbit. However, Baynes's own favourite among her works was the set of illustrations she provided for A Dictionary of Chivalry, edited by Grant Uden (Longman, 1968), a project that required two years to complete. As a result, she won the Kate Greenaway Medal from the Library Association for the year's best children's book illustration by a British subject. In a retrospective citation, the Library Association calls it "a reference work that details the life and thoughts of knights". As a reference book it is unique among the winning works and only one other Greenaway Medal in almost sixty years has been awarded for the illustration of non-fiction. Four years later, Baynes was a commended runner-up for the Greenaway, for Snail and Caterpillar by Helen Piers (Longman, 1972). Baynes also illustrated The Borrowers Avenged by Mary Norton (1982), the fifth and final book in the Borrowers series, following the death of Diana Stanley, who had illustrated the previous four books. Baynes did the covers for a Puffin edition of the entire series issued in the 1980s. PAYMENT OPTIONS
PayPal /Card transactions can be processed through PayPal on our company website. We also accept payment by cheque and bank transfer. Deferred payments can be accepted over an agreed period of time whilst paintings remain with us.
CONDITION AND PRESENTATION
In our description, if a picture is shown to be framed then the frame will be included with the sale of the picture. Unless stated otherwise all unframed watercolours, drawings and prints have been mounted onto acid-free conservation board using either Japanese hinging paper or reversible wheat starch past. Unframed and mounted pictures are then wrapped in clear polyester film to protect both the picture and the mount. All conservation work has been carried out by accredited conservators.
SellerRadnorshire Fine Arts Ltd
View all stock from
Radnorshire Fine Arts Ltd
Private dealer
By appointment only
Powys
Mid Wales
Tel : 01597 272 439
Non UK callers : +44 1597 272 439
Each signed in pencil Pauline Baynes
Pencil and gouache on thick wove paper (2)
Presented together in one single mount
Illustrated A Dictionary of Chivalry / Grant Uden 1968 / (pages 326 & 327)
Baynes illustrated many authentic medieval stories, all of which show her painstaking research into the detailing of period costume and architecture. Her greatest triumph in this genre were her almost 600 illustrations embellishing the margins of Grant Uden's A Dictionary of Chivalry (1968), a two-year labour that earned her the coveted Kate Greenaway Medal. Pauline Baynes was born in Hove, Sussex. For a few years she was raised in India, where her father was commissioner in Agra, but she and her elder sister were sent back to England for their schooling. She spent much of her childhood in Farnham, studying at the Farnham School of Art (now the University for the Creative Arts and eventually attended the Slade School of Fine Art, but after a year there she volunteered to work for the Ministry of Defence, where she made demonstration models for instruction courses. This work did not last long. She was soon transferred to a map-making department, where she acquired skills that she later employed when she drew maps of Narnia for Lewis and of Middle-earth for Tolkien. Baynes is probably best known for her covers and interior illustrations for The Chronicles of Narnia by C. S. Lewis, seven books published, one volume a year, from 1950 to 1956 (the first five by Geoffrey Bles, the last two by The Bodley Head). Years later she provided some new illustrations for The Land of Narnia Brian Sibley Explores the World of C. S. Lewis (HarperCollins, 1998), by Brian Sibley. (According to a School Library Journal review, "the artwork includes full-page illustrations in glowing color".) When she began work on the Narnia books she was already the chosen illustrator of Lewis's friend and colleague J. R. R. Tolkien. In her obituary for The Daily Telegraph Charlotte Cory described how Baynes and Tolkien came to be associated In 1948 Tolkien was visiting his publishers, George Allen & Unwin, to discuss some disappointing artwork that they had commissioned for his novella Farmer Giles of Ham, when he spotted, lying on a desk, some witty reinterpretations of medieval marginalia from the Luttrell Psalter that greatly appealed to him. These, it turned out, had been sent to the publishers "on spec" by the then-unknown Pauline Baynes. Tolkien demanded that the creator of these drawings be set to work illustrating Farmer Giles of Ham and was delighted with the subsequent results, declaring that Pauline Baynes had "reduced my text to a commentary on her drawings". Further collaboration between Tolkien and his Farmer Giles illustrator followed, and a lifelong friendship developed ... Later, when she showed him her artwork for a poster featuring Frodo and Bilbo Baggins, the author nodded approvingly and murmured quietly "There they are, there they are." Eventually drawings by Baynes appeared not only in Farmer Giles of Ham, but also in The Adventures of Tom Bombadil, Smith of Wootton Major, Tree and Leaf and (after the author's death) the poem Bilbo's Last Song, which appeared as a poster in 1974 and as a book in 1990. Baynes also painted the covers for two British paperback editions of The Lord of the Rings (in one volume in 1973 and in three volumes in 1981) and produced illustrated poster versions of the maps from The Lord of the Rings and The Hobbit. However, Baynes's own favourite among her works was the set of illustrations she provided for A Dictionary of Chivalry, edited by Grant Uden (Longman, 1968), a project that required two years to complete. As a result, she won the Kate Greenaway Medal from the Library Association for the year's best children's book illustration by a British subject. In a retrospective citation, the Library Association calls it "a reference work that details the life and thoughts of knights". As a reference book it is unique among the winning works and only one other Greenaway Medal in almost sixty years has been awarded for the illustration of non-fiction. Four years later, Baynes was a commended runner-up for the Greenaway, for Snail and Caterpillar by Helen Piers (Longman, 1972). Baynes also illustrated The Borrowers Avenged by Mary Norton (1982), the fifth and final book in the Borrowers series, following the death of Diana Stanley, who had illustrated the previous four books. Baynes did the covers for a Puffin edition of the entire series issued in the 1980s. PAYMENT OPTIONS
PayPal /Card transactions can be processed through PayPal on our company website. We also accept payment by cheque and bank transfer. Deferred payments can be accepted over an agreed period of time whilst paintings remain with us.
CONDITION AND PRESENTATION
In our description, if a picture is shown to be framed then the frame will be included with the sale of the picture. Unless stated otherwise all unframed watercolours, drawings and prints have been mounted onto acid-free conservation board using either Japanese hinging paper or reversible wheat starch past. Unframed and mounted pictures are then wrapped in clear polyester film to protect both the picture and the mount. All conservation work has been carried out by accredited conservators.
Price The price has been listed in British Pounds.
Conversion rates as of 12/DEC/2024. Euro & Dollar prices will vary and should only be used as a guide.
Always confirm final price with dealer. SOLD
DimensionsWindows of Mount 8 1/8 in x 2 1/4 in. (20.7 cm x 5.7 cm.)
Mount 14 in x 10 1/2 in. (35.5 cm x 26.7 cm.)
Category Antique Pictures / Engravings / Art
> Antique Watercolours
Date 1968
1960s Antiques Material Paper
Origin British
Artist Pauline Diana Baynes
Condition The pictures have been cleaned and mounted by an accredited paper conservator
Item code as176a390
Status Sold
£0 
$0.00 
€0.00 
$
€
Conversion rates as of 12/DEC/2024. Euro & Dollar prices will vary and should only be used as a guide.
Always confirm final price with dealer. SOLD
Shipping information
All our prices include FREE packing and delivery within the UK.
If you live outside the UK and you wish to purchase a painting, please contact us by phone or e-mail for further details concerning shipping costs.
If you live outside the UK and you wish to purchase a painting, please contact us by phone or e-mail for further details concerning shipping costs.
Terms and conditions
Returns and Complaints
Great care and trouble has been taken to ensure that all details written for every picture are correct and the photos are of sufficient quality so that each item can be viewed in detail. If the purchaser can find a fault (by way of a photograph) as proof of damage in transit that is not present in our promotional photo i.e. a tear in the canvas, broken glass, broken frame, damage to surface of picture, then a full or part refund will be offered back to the purchaser depending on the extent of the damage. This will only apply within 24 hours of signing for the parcel.
If the parcel has arrived and appears to be damaged in some way please return the parcel to us (unopened) and we will refund the purchase price on receipt of the picture.
If the purchaser can prove with written evidence from three independent experts that our description was false or misleading in any way then a full refund will be offered back to the purchaser.
Every effort has been made to give our clients complete confidence and satisfaction when buying from our company.
Great care and trouble has been taken to ensure that all details written for every picture are correct and the photos are of sufficient quality so that each item can be viewed in detail. If the purchaser can find a fault (by way of a photograph) as proof of damage in transit that is not present in our promotional photo i.e. a tear in the canvas, broken glass, broken frame, damage to surface of picture, then a full or part refund will be offered back to the purchaser depending on the extent of the damage. This will only apply within 24 hours of signing for the parcel.
If the parcel has arrived and appears to be damaged in some way please return the parcel to us (unopened) and we will refund the purchase price on receipt of the picture.
If the purchaser can prove with written evidence from three independent experts that our description was false or misleading in any way then a full refund will be offered back to the purchaser.
Every effort has been made to give our clients complete confidence and satisfaction when buying from our company.
View all stock from
Radnorshire Fine Arts Ltd
Private dealerBy appointment only
Powys
Mid Wales
Tel : 01597 272 439
Non UK callers : +44 1597 272 439
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