Contact Seller
Radnorshire Fine Arts Ltd
Tel01597 272 439or07790 208 712Please quote Antiques Atlas.
1875 J Rogerson watercolour of horses
Sydney Maiden Watercolour of Pegwell Bay 1960
Sydney Maiden Watercolour of Thorpneness Aldeburgh
Chinese Watercolour Painting on Silk Phoenix
Suffolk House, Penang, by James Wathen 1811
19th Century, Guia Fort, Macau, by James Wathen
Ranji or K.S.Ranjitsinhji, famous Indian Cricketer
Sydney Maiden Watercolour of Bosworlas 1928
Sydney Maiden Watercolour of Grosvenor Square 1954
Sydney Maiden Watercolour of Corfe Castle 1953
Neil Gow Jockey Danny Maher Up At Newmarket
Frank Wood Marine Painting 1914
Non UK callers :
+44 1597 272 439
or +44 7790 208 712
or +44 7790 208 712
Thomas Hearne (1744-1817) Bar Gate, Southampton


Bar Gate, Southampton
Unsigned, inscribed in pencil on reverse, Bar Gate, Southampton
Pencil and watercolour on paper
Mounted (not framed)
Note This drawing is a preparatory study for the finished watercolour "Bar Gate, Southampton" in the collection of the V&A museum, London. The finished work was engraved by William Byrne (1743-1805)and published Oct 15 1802, Plat Vol. II, No. 22, The Antiquities of Great Britain (1786-1807).
A digital image of the watercolour in the V&A can be ordered through the museum on 02079422887 - Museum No 95/1892 - Press Mark WD 33.
The V&A's painting is slightly larger (18.7 x 24.8 cm) which shows the corner of one other building (absent from our watercolour) at the far right of the picture. Close examination also reveals some minor changes to the composition such as the open windows in our watercolour are not seen in the finished version, these and a few other alterations would have been done in preperation for the engraver.
On moving to London, Hearne was apprenticed to the enginneer William Woollett (1735-1785) from 1765 to 1771. He spent nearly four years as draughtsman to the Governor of the Leeward Islands in the West Indies and returned to England to publish his views. He then devoted himself almost exclusively to British landscape and antiquarian subjects. He became one of the leading topographical artists of the period. He was greatly admired during his lifetime and his works were sought after by discerning collectors.
Hearne deliberately limited his use of colour preferring to concentrate on tone. This enabled him to provide great atmosphere and depth in his work and he was influential in this regard, on the artists Turner (1775-1851) and Thomas Girtin (1775-1802).
His drawings are frequently in grey wash, and when he uses colour it is never very strong. Often it is merely a warm base of orange or pale coffee. Although he used pencil for his basic outline - and occasionally drew in pencil only - in his finished works he goes over these outlines with the brush. H.L.Mallalieu the Dictionary of British Watercolour Artists up to 1920.
Examples of his work can be seen in many of the leading galleries throughout the UK.
PriceSOLD DimensionsSize 18.1 x 21.9 cm. Category Antique Pictures / Engravings / Art > Antique Watercolours Period Late 18th Century Antiques Material Paper Origin British Artist Thomas Hearne Condition Very good Item code as176a205 Status Sold
SellerRadnorshire Fine Arts Ltd
View all stock from
Radnorshire Fine Arts Ltd

Private dealer
By appointment only
Powys
Mid Wales
Tel : 01597 272 439
or : 07790 208 712
Non UK callers : +44 1597 272 439 or +44 7790 208 712
Unsigned, inscribed in pencil on reverse, Bar Gate, Southampton
Pencil and watercolour on paper
Mounted (not framed)
Note This drawing is a preparatory study for the finished watercolour "Bar Gate, Southampton" in the collection of the V&A museum, London. The finished work was engraved by William Byrne (1743-1805)and published Oct 15 1802, Plat Vol. II, No. 22, The Antiquities of Great Britain (1786-1807).
A digital image of the watercolour in the V&A can be ordered through the museum on 02079422887 - Museum No 95/1892 - Press Mark WD 33.
The V&A's painting is slightly larger (18.7 x 24.8 cm) which shows the corner of one other building (absent from our watercolour) at the far right of the picture. Close examination also reveals some minor changes to the composition such as the open windows in our watercolour are not seen in the finished version, these and a few other alterations would have been done in preperation for the engraver.
On moving to London, Hearne was apprenticed to the enginneer William Woollett (1735-1785) from 1765 to 1771. He spent nearly four years as draughtsman to the Governor of the Leeward Islands in the West Indies and returned to England to publish his views. He then devoted himself almost exclusively to British landscape and antiquarian subjects. He became one of the leading topographical artists of the period. He was greatly admired during his lifetime and his works were sought after by discerning collectors.
Hearne deliberately limited his use of colour preferring to concentrate on tone. This enabled him to provide great atmosphere and depth in his work and he was influential in this regard, on the artists Turner (1775-1851) and Thomas Girtin (1775-1802).
His drawings are frequently in grey wash, and when he uses colour it is never very strong. Often it is merely a warm base of orange or pale coffee. Although he used pencil for his basic outline - and occasionally drew in pencil only - in his finished works he goes over these outlines with the brush. H.L.Mallalieu the Dictionary of British Watercolour Artists up to 1920.
Examples of his work can be seen in many of the leading galleries throughout the UK.
PriceSOLD DimensionsSize 18.1 x 21.9 cm. Category Antique Pictures / Engravings / Art > Antique Watercolours Period Late 18th Century Antiques Material Paper Origin British Artist Thomas Hearne Condition Very good Item code as176a205 Status Sold
View all stock from
Radnorshire Fine Arts Ltd

Private dealerBy appointment only
Powys
Mid Wales
Tel : 01597 272 439
or : 07790 208 712
Non UK callers : +44 1597 272 439 or +44 7790 208 712
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