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Radnorshire Fine Arts Ltd
Tel01597 272 439Please quote Antiques Atlas.
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Non UK callers :
+44 1597 272 439
Reginald Hallward (1858-1948) Elijah and the Angel
Signed with monogram (lower right).
Drawing, c1900 Sepia wash with pen and black ink, highlighted with white bodycolour
Provenance: Grandson of the artist - Humphrey Hallward
Born in Sandown, Isle of Wight, on 18 October 1858, after a private education Reginald Hallward studied art at the Slade School of Fine Art, University College London, and at the Royal College of Art in London. In 1887 he married Adelaide Bloxam the artist, illustrator and writer of children’s books. He was diverse, creative and free-ranging in his talents, we see him foremost as a painter of mystical landscapes, but probably his most concrete memorial is his work as a designer of stained glass. In the 1880s he trained with Christopher Whall at his workshop in Dorking, Surrey and later designed for him. He designed windows for many ecclesiastical buildings including St. Mary Magdalene Church in Cobham, Kent (1903) St. Martin’s Church in Westmeston, East Sussex (1915) St. Peter and St. Paul’s Church in Shorne, near Gravesend in Kent (1925) and the American Military Cemetery in Brookwood, Surrey (1929). Two designs for stained-glass windows by Hallward are illustrated in ‘The Studio Yearbook of Decorative Art’ 1919 (p.104). Hallward also wrote articles on stained glass in ‘The Builder’ and other magazines. In the years after the First World War he designed sculptural War Memorials for cathedrals and churches in France, England and Canada.
Hallward founded the Woodlands Press principally to issue his own and his family’s books and illustrated works, most notably, “Vox Humana” a series of six volumes of pictures and verses of which some eighty sets were published. He was a fine illustrator in the arts and crafts style especially with his black and white “scratchwork” which he re-introduced, he ran the press from his house at Shorne, near Gravesend in Kent. Among books published by the Woodlands Press were ‘The Religion of Art’ (1899), written and illustrated by Reginald Hallward and ‘The Baby’s Quest’ (1913), written and illustrated by his wife, Adelaide Hallward. Until the end of his life Hallward painted landscapes in oil, and in doing so recorded the different places where he lived – the later landscapes are of Merioneth and Pembroke where he spent the last years of his life. However even in his landscapes which are identified views one would be disappointed to look for any kind of topographical literalness. With or without figures his paintings derive from his own vision of a mythic countryside rather than any direct experience or observation of the landscape. The constituents of Hallward’s landscape are symbolic rather than naturalistic and their overall impact is more telling than their details. He was well regarded in his day and formed friendships with the avant-garde including Oscar Wilde and James Guthrie (of the Pear Tree Press) who was, at one time, his studio assistant and became a life long friend and promoter of his work. Hallward gave Oscar Wilde the idea for Dorian Grey.
A number of exhibitions of his work took place at the Rowley Gallery and especially at the Dowdeswell Gallery, including a major exhibition there in 1913. He exhibited at the New English Arts Club, the Arlington Gallery, the Grosvenor Gallery, the Royal Institute of British Artists in London, the Walker Art Gallery in Liverpool, and at the Royal Society of British Artists. More recently, an exhibition of his work (and of his close family) was held at the Christopher Wood Gallery in May 1984. He lived at Shorne, near Gravesend in Kent 13 Hogarth, Kensington, London and for many years at Arthog in Merionethshire, Wales. He died on 30 March 1948.
PAYMENT OPTIONS
PayPal /Card transactions can be processed through PayPal on our company website. We also accept payment by cheque and bank transfer. Deferred payments can be accepted over an agreed period of time whilst paintings remain with us.
CONDITION AND PRESENTATION
In our description, if a picture is shown to be framed then the frame will be included with the sale of the picture. Unless stated otherwise all unframed watercolours, drawings and prints have been mounted onto acid-free conservation board using either Japanese hinging paper or reversible wheat starch past. Unframed and mounted pictures are then wrapped in clear polyester film to protect both the picture and the mount. All conservation work has been carried out by accredited conservators.
SellerRadnorshire Fine Arts Ltd
View all stock from
Radnorshire Fine Arts Ltd
Private dealer
By appointment only
Powys
Mid Wales
Tel : 01597 272 439
Non UK callers : +44 1597 272 439
Drawing, c1900 Sepia wash with pen and black ink, highlighted with white bodycolour
Provenance: Grandson of the artist - Humphrey Hallward
Born in Sandown, Isle of Wight, on 18 October 1858, after a private education Reginald Hallward studied art at the Slade School of Fine Art, University College London, and at the Royal College of Art in London. In 1887 he married Adelaide Bloxam the artist, illustrator and writer of children’s books. He was diverse, creative and free-ranging in his talents, we see him foremost as a painter of mystical landscapes, but probably his most concrete memorial is his work as a designer of stained glass. In the 1880s he trained with Christopher Whall at his workshop in Dorking, Surrey and later designed for him. He designed windows for many ecclesiastical buildings including St. Mary Magdalene Church in Cobham, Kent (1903) St. Martin’s Church in Westmeston, East Sussex (1915) St. Peter and St. Paul’s Church in Shorne, near Gravesend in Kent (1925) and the American Military Cemetery in Brookwood, Surrey (1929). Two designs for stained-glass windows by Hallward are illustrated in ‘The Studio Yearbook of Decorative Art’ 1919 (p.104). Hallward also wrote articles on stained glass in ‘The Builder’ and other magazines. In the years after the First World War he designed sculptural War Memorials for cathedrals and churches in France, England and Canada.
Hallward founded the Woodlands Press principally to issue his own and his family’s books and illustrated works, most notably, “Vox Humana” a series of six volumes of pictures and verses of which some eighty sets were published. He was a fine illustrator in the arts and crafts style especially with his black and white “scratchwork” which he re-introduced, he ran the press from his house at Shorne, near Gravesend in Kent. Among books published by the Woodlands Press were ‘The Religion of Art’ (1899), written and illustrated by Reginald Hallward and ‘The Baby’s Quest’ (1913), written and illustrated by his wife, Adelaide Hallward. Until the end of his life Hallward painted landscapes in oil, and in doing so recorded the different places where he lived – the later landscapes are of Merioneth and Pembroke where he spent the last years of his life. However even in his landscapes which are identified views one would be disappointed to look for any kind of topographical literalness. With or without figures his paintings derive from his own vision of a mythic countryside rather than any direct experience or observation of the landscape. The constituents of Hallward’s landscape are symbolic rather than naturalistic and their overall impact is more telling than their details. He was well regarded in his day and formed friendships with the avant-garde including Oscar Wilde and James Guthrie (of the Pear Tree Press) who was, at one time, his studio assistant and became a life long friend and promoter of his work. Hallward gave Oscar Wilde the idea for Dorian Grey.
A number of exhibitions of his work took place at the Rowley Gallery and especially at the Dowdeswell Gallery, including a major exhibition there in 1913. He exhibited at the New English Arts Club, the Arlington Gallery, the Grosvenor Gallery, the Royal Institute of British Artists in London, the Walker Art Gallery in Liverpool, and at the Royal Society of British Artists. More recently, an exhibition of his work (and of his close family) was held at the Christopher Wood Gallery in May 1984. He lived at Shorne, near Gravesend in Kent 13 Hogarth, Kensington, London and for many years at Arthog in Merionethshire, Wales. He died on 30 March 1948.
PAYMENT OPTIONS
PayPal /Card transactions can be processed through PayPal on our company website. We also accept payment by cheque and bank transfer. Deferred payments can be accepted over an agreed period of time whilst paintings remain with us.
CONDITION AND PRESENTATION
In our description, if a picture is shown to be framed then the frame will be included with the sale of the picture. Unless stated otherwise all unframed watercolours, drawings and prints have been mounted onto acid-free conservation board using either Japanese hinging paper or reversible wheat starch past. Unframed and mounted pictures are then wrapped in clear polyester film to protect both the picture and the mount. All conservation work has been carried out by accredited conservators.
Price The price has been listed in British Pounds.
Conversion rates as of 12/DEC/2024. Euro & Dollar prices will vary and should only be used as a guide.
Always confirm final price with dealer. SOLD
DimensionsSheet: 10 in x 6 1/2 in. (25.5 cm x 17 cm.)
Window of Mount: 7 1/4 in x 4 1/4 in. (18.3 cm x 10.8 cm.)
Mount: 12 3/8 in x 9 1/4 in. (31.2 cm x 23.4 cm.)
Category Antique Pictures / Engravings / Art
> Antique Drawings
Date c1900
1900s Antiques Material Paper
Origin English
Condition Very good
Item code as176a559
Status Sold
£0 
$0.00 
€0.00 
$
€
Conversion rates as of 12/DEC/2024. Euro & Dollar prices will vary and should only be used as a guide.
Always confirm final price with dealer. SOLD
Shipping information
All our prices include FREE packing and delivery within the UK.
If you live outside the UK and you wish to purchase a painting, please contact us by phone or e-mail for further details concerning shipping costs.
If you live outside the UK and you wish to purchase a painting, please contact us by phone or e-mail for further details concerning shipping costs.
Terms and conditions
Returns and Complaints
Great care and trouble has been taken to ensure that all details written for every picture are correct and the photos are of sufficient quality so that each item can be viewed in detail. If the purchaser can find a fault (by way of a photograph) as proof of damage in transit that is not present in our promotional photo i.e. a tear in the canvas, broken glass, broken frame, damage to surface of picture, then a full or part refund will be offered back to the purchaser depending on the extent of the damage. This will only apply within 24 hours of signing for the parcel.
If the parcel has arrived and appears to be damaged in some way please return the parcel to us (unopened) and we will refund the purchase price on receipt of the picture.
If the purchaser can prove with written evidence from three independent experts that our description was false or misleading in any way then a full refund will be offered back to the purchaser.
Every effort has been made to give our clients complete confidence and satisfaction when buying from our company.
Great care and trouble has been taken to ensure that all details written for every picture are correct and the photos are of sufficient quality so that each item can be viewed in detail. If the purchaser can find a fault (by way of a photograph) as proof of damage in transit that is not present in our promotional photo i.e. a tear in the canvas, broken glass, broken frame, damage to surface of picture, then a full or part refund will be offered back to the purchaser depending on the extent of the damage. This will only apply within 24 hours of signing for the parcel.
If the parcel has arrived and appears to be damaged in some way please return the parcel to us (unopened) and we will refund the purchase price on receipt of the picture.
If the purchaser can prove with written evidence from three independent experts that our description was false or misleading in any way then a full refund will be offered back to the purchaser.
Every effort has been made to give our clients complete confidence and satisfaction when buying from our company.
View all stock from
Radnorshire Fine Arts Ltd
Private dealerBy appointment only
Powys
Mid Wales
Tel : 01597 272 439
Non UK callers : +44 1597 272 439
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