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Brave Fine Art
Tel01684 304487Please quote Antiques Atlas.
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+44 1684 304487
Emma Smythe, Suffolk Mill, English Landscape
An idyllic English rural scene depicting three faggot gatherers before a windmill in Suffolk. The artist, Emma Smythe (1819-1877), hailed from Bury St Edmunds and often painted idealised views of this beautiful county.
Faggot gathering involved collecting parcels of certain items, often wood or sticks, and the word ‘faggot’ is an archaic English term for a ‘bundle’.
Here, in Smythe’s depiction, we see three men laden with wood walking along a track adjacent to a windmill. Two are upright but one appears to be stooping under the weight. The wispy clouds above them feel typically British and the earth is awash with red flora.
Often when we think of idealised views of the Suffolk countryside, the first name that springs to mind is that of John Constable (1776-1837). Constable’s picturesque scenes were a breath of fresh air against a backdrop of rapid industrialisation.
Emma Smythe, along with her brothers, Edward (1810-1899) and Thomas (1825-1907), often painted in the same vein and each of them had successful careers. Emma is probably the least well-known, despite exhibiting five times at the Royal Academy and also at the British Institution. There’s no question that in the 19th-century, her gender would’ve made it harder to achieve the recognition she deserved.
Emma had two children with her husband, Robinson Taylor, and settled in Ipswich, where she became a drawing and painting teacher.
This particular work appeared at Christie's in 2003 and the original catalogue from the sale will be sent along with the painting.
Medium: Oil on board
Size including frame: 16⅓” x 16⅓” / 41.5cm x 41.5cm
Year of creation: c. 1860
Condition: Artwork in good condition with no issues and frame with light age-related wear. Brave Fine Art is a boutique art dealership based in the picturesque Malvern Hills, England. Established in 2017, our clients include private collectors and interiors designers throughout the UK, USA and Canada.
We tend to focus on decorative art that captures the imagination - from monumental 17th-century portraits through to characterful vintage landscapes. Every piece in the collection has an interesting story to tell and we work hard to discover the hidden history behind each one.
You may have seen us mentioned in popular magazines such as Vogue, Livingetc and Homes & Gardens. It’s always exciting to spot a piece we recognise in a beautiful home or place of work.
Do feel free to contact us as we’re always happy to share further information. We also offer a finding service if you’re working on a project for a client or need that special piece for your home.
SellerBrave Fine Art
View all stock from
Brave Fine Art
Private dealer
By appointment only
Birmingham
England, UK
Tel : 01684 304487
Non UK callers : +44 1684 304487
Faggot gathering involved collecting parcels of certain items, often wood or sticks, and the word ‘faggot’ is an archaic English term for a ‘bundle’.
Here, in Smythe’s depiction, we see three men laden with wood walking along a track adjacent to a windmill. Two are upright but one appears to be stooping under the weight. The wispy clouds above them feel typically British and the earth is awash with red flora.
Often when we think of idealised views of the Suffolk countryside, the first name that springs to mind is that of John Constable (1776-1837). Constable’s picturesque scenes were a breath of fresh air against a backdrop of rapid industrialisation.
Emma Smythe, along with her brothers, Edward (1810-1899) and Thomas (1825-1907), often painted in the same vein and each of them had successful careers. Emma is probably the least well-known, despite exhibiting five times at the Royal Academy and also at the British Institution. There’s no question that in the 19th-century, her gender would’ve made it harder to achieve the recognition she deserved.
Emma had two children with her husband, Robinson Taylor, and settled in Ipswich, where she became a drawing and painting teacher.
This particular work appeared at Christie's in 2003 and the original catalogue from the sale will be sent along with the painting.
Medium: Oil on board
Size including frame: 16⅓” x 16⅓” / 41.5cm x 41.5cm
Year of creation: c. 1860
Condition: Artwork in good condition with no issues and frame with light age-related wear. Brave Fine Art is a boutique art dealership based in the picturesque Malvern Hills, England. Established in 2017, our clients include private collectors and interiors designers throughout the UK, USA and Canada.
We tend to focus on decorative art that captures the imagination - from monumental 17th-century portraits through to characterful vintage landscapes. Every piece in the collection has an interesting story to tell and we work hard to discover the hidden history behind each one.
You may have seen us mentioned in popular magazines such as Vogue, Livingetc and Homes & Gardens. It’s always exciting to spot a piece we recognise in a beautiful home or place of work.
Do feel free to contact us as we’re always happy to share further information. We also offer a finding service if you’re working on a project for a client or need that special piece for your home.
Price The price has been listed in British Pounds.
Conversion rates as of 7/JAN/2025. Euro & Dollar prices will vary and should only be used as a guide.
Always confirm final price with dealer.
Category Antique Pictures / Engravings / Art
> Antique Oil Paintings
Date c.1860
Late 19th Century Antiques Material Oil Painting on Board
Origin English
Item code as951a088
Status Sold
£795.00 
$993.59 
€957.90 
$
€
Conversion rates as of 7/JAN/2025. Euro & Dollar prices will vary and should only be used as a guide.
Always confirm final price with dealer.
Shipping information
We're able to ship internationally and offer free delivery throughout the UK, USA, EU & Canada.
Terms and conditions
Please be assured that we inspect every painting, drawing or print to check for issues relating to its condition during its time here with us. When we notice a fault or potential problem, we will note this down on the item's condition report, which can be found within each listing. We take various steps to ensure that your artwork will stand the test of time but we're unable to offer any warranties or guarantees as we're just one custodian in a potentially long line of previous owners.
Our inspections include a check for any signs of woodworm, historic or otherwise, as this is not unusual in antique frames or stretchers. If we discover any small holes, we treat the wood with a solution which states that "its deep penetration ensures effective protection for many years and prevents re-infestation". With this in mind, it's very unlikely that any future issues will occur, especially given that the wood may also have been treated by previous owners. However, as mentioned above, we are unable to provide any warranties or guarantees - just be assured that we care.
Also, many of the paintings include hanging equipment, namely wire or string. Sometimes this is already present when we purchase an item so we check to see if it's been attached correctly. However, we can't test the durability of this equipment as many of the paintings are sold quickly. So please do seek any advice if you're unsure how to hang your paintings correctly, especially if they're heavy, and do check on them from time to time.
If you have any questions at all, please just ask.
Our inspections include a check for any signs of woodworm, historic or otherwise, as this is not unusual in antique frames or stretchers. If we discover any small holes, we treat the wood with a solution which states that "its deep penetration ensures effective protection for many years and prevents re-infestation". With this in mind, it's very unlikely that any future issues will occur, especially given that the wood may also have been treated by previous owners. However, as mentioned above, we are unable to provide any warranties or guarantees - just be assured that we care.
Also, many of the paintings include hanging equipment, namely wire or string. Sometimes this is already present when we purchase an item so we check to see if it's been attached correctly. However, we can't test the durability of this equipment as many of the paintings are sold quickly. So please do seek any advice if you're unsure how to hang your paintings correctly, especially if they're heavy, and do check on them from time to time.
If you have any questions at all, please just ask.
View all stock from
Brave Fine Art
Private dealerBy appointment only
Birmingham
England, UK
Tel : 01684 304487
Non UK callers : +44 1684 304487
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Great portrait painting signed Walter Herbert Roe
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19th C Oil on Canvas attributed to Henry P Parker
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