Contact Seller
Royal House Antiques
Tel07850890032Please quote Antiques Atlas.
19th Century Victorian Arts & Crafts Oak Settle
Pitch Pine Settle Bench / Seat / 20th Century
An Early 18th Century Oak Box Settle
C18th Carved Oak Settle
Victorian Carved Oak Hall Seat
Small Carved Oak Hall Settle
Pair of Victorian 8ft Welsh Pine Dining Benches
Early 20th Century Oak Bench
18th Century George III Elm Bacon Settle
Art Deco Walnut and Oak Bench / Stool
Victorian Pine Pew.
Italian Inlaid Walnut Box Settle c.1780
Non UK callers :
+44 7850890032
Circa 1860 Monks Oak Settle Bench Internal Storage
We are delighted to offer for sale this stunning hand carved circa 1860 Monks oak settle bench with internal storage from the north of Italy depicting Lions, Griffons and a coat of arms with hunting scenes to the back and base
Please note the delivery fee listed is just a guide, it covers within the M25 only for the UK and local Europe only for international, if you would like an accurate quote please send me your postcode and I’ll provide you with the exact price
A very good looking and well made hall bench, its a Monk Settle which is very popular and collectable, you often see them in hallways and the under seat storage is used for shoes and so on
It is a bit of a tour de force in terms of craftsmanship, you have a large griffon carved coat of arms to the top, lions for the arms with some kind of gothic figure head and toes for the feet, the back and base panel as mentioned depict a very detailed hunting scene, this is pure art furniture
In terms of condition the timber has been lightly cleaned hand condition waxed and hand polished, it has a wonderful period patina to it
Dimensions
Height:- 134cm
Width:- 108cm
Depth:- 51.5cm
Seat height:- 52cm
Please note all measurements are taken at the widest point, if you would like any additional or specific measurements please ask
Andrea Brustolon (20 July 1662 – 25 October 1732) was an Italian sculptor in wood. He is known for his furnishings in the Baroque style and devotional sculptures.
Biography
He was trained in a vigorous local tradition of sculpture in his native Belluno, in the Venetian terraferma, and in the studio of the Genoese sculptor Filippo Parodi, who was carrying out commissions at Padua and at Venice (1677). He spent the years 1678-80 at Rome, where the High Baroque sculpture of Bernini and his contemporaries polished his style. Apart from that, the first phase of Brustolon's working career was spent in Venice, 1680–1685. Brustolon is documented at several Venetian churches where he executed decorative carving in such profusion that he must have quickly assembled a large studio of assistants. As with his contemporary in London, Grinling Gibbons almost all the high quality robust Baroque carving in Venice has been attributed to Brustolon at one time or another. In the Venetian Ghetto, at the Scola Levantina, Brustolon provided the woodwork for the synagogue on the piano nobile, where the carved, canopied bimah is supported on Solomonic columns, which Brustolon had seen in Bernini's baldacchino in the Basilica of St Peter's.
His furniture included armchairs with figural sculptures that take the place of front legs and armrest supports, inspired by his experience of Bernini's Cathedra Petri. The gueridon, a tall stand for a candelabrum, offered Brustolon unhampered possibilities for variations of the idea of a caryatid or atlas: the familiar Baroque painted and ebonized blackamoor gueridons, endlessly reproduced since the eighteenth century, found their models in Brustolon's work.
His secular commissions from Pietro Venier, of the Venier di San Vio family (a suite of forty sculptural pieces that can be seen in the Sala di Brustolon of the Ca' Rezzonico, Venice), from the Pisani of Strà, and from the Correr di San Simeone families encourage the attribution to him of some extravagantly rich undocumented moveable furniture. Andrea Brustolon's elaborate carved furniture aspired towards the condition of sculpture, such as the Dutch bases for console tables which look like enlargements of the work of the two Van Vianens, Paulus and Adam, perhaps the greatest Dutch silversmiths of the period. These carved pieces display the baroque tendency to develop a form three-dimensionally in space.
Brustolon's walnut, boxwood and ebony pieces transcend ordinary functional limitations of furniture they are constructed of elaborately carved figures. The framework of Brustolon's chairs, side tables and gueridons were carved as gnarled tree branches, with further supports of putti and moors carved in ebony. Backrests of the chairs, which were never touched in the rigidly upright posture that contemporary etiquette demanded, were carved with allegories of vanity, fire and music, etc.
The most extravagant piece delivered for Pietro Venier was a large side table and vase-stand of box and ebony, designed as a single ensemble to display rare imported Japanese porcelain vases. The eclectic allegories include Hercules with the Hydra and Cerberus, moors and reclining river-gods (see ref.).
For the Correr, less extrovert chairs bear female nudes extended along the armrests. For the Pisani, he carved a suite of twelve chairs (now at the Palazzo Quirinale) with flowers, fruit, leaves and branches to symbolize the twelve months of the year. Work by Brustolon is at the Villa Pisani at Stra.
In 1685 Brustolon returned to the house where he was born at Belluno, and from that time devoted himself mainly to tabernacles and devotional sculptures in walnut, boxwood or ivory. His polychromed ivory Corpus from a crucifix is in the Museo Civico di Belluno, which preserves some of Brustolon's preparatory drawings for frames to be carved with putti displaying emblems. A pair of boxwood sculptures, The Sacrifice of Abraham and Jacob Wrestling with the Angel, integral with scrolling barocchetto stands, were in the collection of Justus Liebig (Liebigshaus, Frankfort). An altarpiece, c. 1720, is at the Victoria and Albert Museum, London.
He died in Belluno in 1732.
Valentino Panciera Besarel (1829-1902) was Andrea Brustolon's great heir of the Nineteenth Century in wood carving he presented himself as Brustolon's natural successor and alter ego. He studied from 1855 to 1857 in Venice and his career developed the most in there and in Belluno, although it was also turned to countries beyond the Alps. He applied in furniture and in ecclesiastical and secular decoration, showing his talents in furniture and frames making.
References:
Catalogue by Massimo de Grassi, Valentino Panciera Besarel, Verona, 2002) and was the subject of a monograph, Giovanni Angelini, Gli Scultori Panciera Besarel (Belluno 2002).
Biasuz G., and Buttignon M.G., 1969. Andrea Brustolon (Istituto Veneto Arti Grafiche) 1969
Gonzales-Palacios, Alvar, 1967. Il mobilio del '700 veneto
Semenzato, G., 1967. La scultura veneta del Seicento e del Settecento (Turin: Alfieri)
Valcanover, F., 1960. Indice delle opere d'arte della città e provincia di Belluno (Venice)
Biasuz, G., and E. Lacchin, 1928. Brustolon, preface by U. Ometti (Venice: Zanetti)
Any questions please feel free to ask. Payments
We accept payment via Bitcoin, Bitcoin cash, Ethereum, Bacs, Chaps, PayPal or Card, we would kindly ask that all items are paid for within 48 hours and collected within 7 working days, we can hold all paid items for 14 days free of charge, there after a £20 a week storage fee will apply. We have long term storage which is very economically priced, we are happy to hold stock for as long as needed providing it is arranged prior to the purchase.
If sold items aren’t collected within three months and no arrangements have been made for long term storage you will forfeit the item and payment.
SellerRoyal House Antiques
View all stock from
Royal House Antiques
Private dealer, online
By appointment only
Wimbledon
London
Tel : 07850890032
Non UK callers : +44 7850890032
Please note the delivery fee listed is just a guide, it covers within the M25 only for the UK and local Europe only for international, if you would like an accurate quote please send me your postcode and I’ll provide you with the exact price
A very good looking and well made hall bench, its a Monk Settle which is very popular and collectable, you often see them in hallways and the under seat storage is used for shoes and so on
It is a bit of a tour de force in terms of craftsmanship, you have a large griffon carved coat of arms to the top, lions for the arms with some kind of gothic figure head and toes for the feet, the back and base panel as mentioned depict a very detailed hunting scene, this is pure art furniture
In terms of condition the timber has been lightly cleaned hand condition waxed and hand polished, it has a wonderful period patina to it
Dimensions
Height:- 134cm
Width:- 108cm
Depth:- 51.5cm
Seat height:- 52cm
Please note all measurements are taken at the widest point, if you would like any additional or specific measurements please ask
Andrea Brustolon (20 July 1662 – 25 October 1732) was an Italian sculptor in wood. He is known for his furnishings in the Baroque style and devotional sculptures.
Biography
He was trained in a vigorous local tradition of sculpture in his native Belluno, in the Venetian terraferma, and in the studio of the Genoese sculptor Filippo Parodi, who was carrying out commissions at Padua and at Venice (1677). He spent the years 1678-80 at Rome, where the High Baroque sculpture of Bernini and his contemporaries polished his style. Apart from that, the first phase of Brustolon's working career was spent in Venice, 1680–1685. Brustolon is documented at several Venetian churches where he executed decorative carving in such profusion that he must have quickly assembled a large studio of assistants. As with his contemporary in London, Grinling Gibbons almost all the high quality robust Baroque carving in Venice has been attributed to Brustolon at one time or another. In the Venetian Ghetto, at the Scola Levantina, Brustolon provided the woodwork for the synagogue on the piano nobile, where the carved, canopied bimah is supported on Solomonic columns, which Brustolon had seen in Bernini's baldacchino in the Basilica of St Peter's.
His furniture included armchairs with figural sculptures that take the place of front legs and armrest supports, inspired by his experience of Bernini's Cathedra Petri. The gueridon, a tall stand for a candelabrum, offered Brustolon unhampered possibilities for variations of the idea of a caryatid or atlas: the familiar Baroque painted and ebonized blackamoor gueridons, endlessly reproduced since the eighteenth century, found their models in Brustolon's work.
His secular commissions from Pietro Venier, of the Venier di San Vio family (a suite of forty sculptural pieces that can be seen in the Sala di Brustolon of the Ca' Rezzonico, Venice), from the Pisani of Strà, and from the Correr di San Simeone families encourage the attribution to him of some extravagantly rich undocumented moveable furniture. Andrea Brustolon's elaborate carved furniture aspired towards the condition of sculpture, such as the Dutch bases for console tables which look like enlargements of the work of the two Van Vianens, Paulus and Adam, perhaps the greatest Dutch silversmiths of the period. These carved pieces display the baroque tendency to develop a form three-dimensionally in space.
Brustolon's walnut, boxwood and ebony pieces transcend ordinary functional limitations of furniture they are constructed of elaborately carved figures. The framework of Brustolon's chairs, side tables and gueridons were carved as gnarled tree branches, with further supports of putti and moors carved in ebony. Backrests of the chairs, which were never touched in the rigidly upright posture that contemporary etiquette demanded, were carved with allegories of vanity, fire and music, etc.
The most extravagant piece delivered for Pietro Venier was a large side table and vase-stand of box and ebony, designed as a single ensemble to display rare imported Japanese porcelain vases. The eclectic allegories include Hercules with the Hydra and Cerberus, moors and reclining river-gods (see ref.).
For the Correr, less extrovert chairs bear female nudes extended along the armrests. For the Pisani, he carved a suite of twelve chairs (now at the Palazzo Quirinale) with flowers, fruit, leaves and branches to symbolize the twelve months of the year. Work by Brustolon is at the Villa Pisani at Stra.
In 1685 Brustolon returned to the house where he was born at Belluno, and from that time devoted himself mainly to tabernacles and devotional sculptures in walnut, boxwood or ivory. His polychromed ivory Corpus from a crucifix is in the Museo Civico di Belluno, which preserves some of Brustolon's preparatory drawings for frames to be carved with putti displaying emblems. A pair of boxwood sculptures, The Sacrifice of Abraham and Jacob Wrestling with the Angel, integral with scrolling barocchetto stands, were in the collection of Justus Liebig (Liebigshaus, Frankfort). An altarpiece, c. 1720, is at the Victoria and Albert Museum, London.
He died in Belluno in 1732.
Valentino Panciera Besarel (1829-1902) was Andrea Brustolon's great heir of the Nineteenth Century in wood carving he presented himself as Brustolon's natural successor and alter ego. He studied from 1855 to 1857 in Venice and his career developed the most in there and in Belluno, although it was also turned to countries beyond the Alps. He applied in furniture and in ecclesiastical and secular decoration, showing his talents in furniture and frames making.
References:
Catalogue by Massimo de Grassi, Valentino Panciera Besarel, Verona, 2002) and was the subject of a monograph, Giovanni Angelini, Gli Scultori Panciera Besarel (Belluno 2002).
Biasuz G., and Buttignon M.G., 1969. Andrea Brustolon (Istituto Veneto Arti Grafiche) 1969
Gonzales-Palacios, Alvar, 1967. Il mobilio del '700 veneto
Semenzato, G., 1967. La scultura veneta del Seicento e del Settecento (Turin: Alfieri)
Valcanover, F., 1960. Indice delle opere d'arte della città e provincia di Belluno (Venice)
Biasuz, G., and E. Lacchin, 1928. Brustolon, preface by U. Ometti (Venice: Zanetti)
Any questions please feel free to ask. Payments
We accept payment via Bitcoin, Bitcoin cash, Ethereum, Bacs, Chaps, PayPal or Card, we would kindly ask that all items are paid for within 48 hours and collected within 7 working days, we can hold all paid items for 14 days free of charge, there after a £20 a week storage fee will apply. We have long term storage which is very economically priced, we are happy to hold stock for as long as needed providing it is arranged prior to the purchase.
If sold items aren’t collected within three months and no arrangements have been made for long term storage you will forfeit the item and payment.
Price
Arrange a final price and delivery details directly with the dealer
Click here to message the seller
The price has been listed in British Pounds.
Conversion rates as of 21/NOV/2024. Euro & Dollar prices will vary and should only be used as a guide.
Always confirm final price with dealer.
Category Antique Furniture
Date 1860
Mid Victorian Antiques Material Oak
Origin Italian
Item code as968a2448
Status For Sale
£3750.00 
$4731.75
€4501.88
$4731.75
€4501.88
Looking to Buy?
Payment with PayPal is availableArrange a final price and delivery details directly with the dealer
Click here to message the seller
Conversion rates as of 21/NOV/2024. Euro & Dollar prices will vary and should only be used as a guide.
Always confirm final price with dealer.
Shipping information
DELIVERY AND COLLECTION
For an accurate delivery quote please contact us with your postcode and be sure to include which item you would like to buy as the price is determined on size and distance. If you would like more than one piece of furniture we offer a substantial discount on the second and third item.
For international shipping please contact us with your full address for an accurate delivery quote and be sure to include which item you would like to buy as the price is determined on the size on location.
COURIER (LARGE ITEMS ONLY THAT CAN’T BE POSTED)
We prefer collection on all items from Wimbledon SW19-3BE, If you have your own courier or wish to book the collection in yourself we are happy to accommodate you.
We can arrange delivery nationwide, please confirm the delivery amount before you buy and not after.
Whoever delivers will usually require some help on the larger items to unload, if this is not possible please let us know as it will affect the price to send a two man team.
Delivery is to the ground floor only, again if you need help upstairs or in flats etc that's absolutely not a problem, the couriers charge £10 per flight per man per item, if you have a working elevator then naturally there’s no additional fee.
I’m happy to accommodate your own courier after a cleared payment has been received, they need to book in a collection time with at least 24 hours notice, all collections must be made within 7 working days of the close of the auction unless agreed by prior arrangement.
For an accurate delivery quote please contact us with your postcode and be sure to include which item you would like to buy as the price is determined on size and distance. If you would like more than one piece of furniture we offer a substantial discount on the second and third item.
For international shipping please contact us with your full address for an accurate delivery quote and be sure to include which item you would like to buy as the price is determined on the size on location.
COURIER (LARGE ITEMS ONLY THAT CAN’T BE POSTED)
We prefer collection on all items from Wimbledon SW19-3BE, If you have your own courier or wish to book the collection in yourself we are happy to accommodate you.
We can arrange delivery nationwide, please confirm the delivery amount before you buy and not after.
Whoever delivers will usually require some help on the larger items to unload, if this is not possible please let us know as it will affect the price to send a two man team.
Delivery is to the ground floor only, again if you need help upstairs or in flats etc that's absolutely not a problem, the couriers charge £10 per flight per man per item, if you have a working elevator then naturally there’s no additional fee.
I’m happy to accommodate your own courier after a cleared payment has been received, they need to book in a collection time with at least 24 hours notice, all collections must be made within 7 working days of the close of the auction unless agreed by prior arrangement.
Terms and conditions
CONDITION
Please view the very detailed pictures as they form part of the description around condition
Please also ask any questions before you buy and not after, all of our items are sold as seen and as listed.
Please view the very detailed pictures as they form part of the description around condition
Please also ask any questions before you buy and not after, all of our items are sold as seen and as listed.
View all stock from
Royal House Antiques
Private dealer, onlineBy appointment only
Wimbledon
London
Tel : 07850890032
Non UK callers : +44 7850890032
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