Contact Seller
Historic Antique Paintings
Tel07547 617528Please quote Antiques Atlas.
Battle The Plains of Abraham 1759 Red Coats Quebec
Painting Formula One Racing 1955 Monaco Grand Prix
17th century Flemish painting on panel
Vintage Garden Painting, English Oil On Board
Rare naive oil of Pulls Ferry Norwich d1908
Portrait of 'E. Butler' A Gentleman. Dated 1830.
Painting Naive Folk Art Oil On Canvas C1890
Great 17th Century Painting Allegory Of Charity
Oil on Canvas (Hudson Parkin) 'BE STILL'
Oil on Canvas (Gill Storr) 'Blue Waters'
Oil on Canvas Richard John Croft (British 1935)
Jeremy King (british 1933-2020)
Non UK callers :
+44 7547 617528
King Charles I & Henrietta Portrait The Greate Peece
STOCK REDUCTION SALE
WAS £16,850 / NOW REDUCED SUBSTANTIALLY TO £12,850
King Charles I & Henrietta Maria After Sir Anthony Van Dyck
I am delighted to be able to offer for sale this stunning large scale late 18th century oil portrait on canvas which was first painted by Van Dyck in 1632 as his first commission following appointment
as the Court Painter to Charles I and the work showcased his skilful propaganda.
It shows Charles and his Queen, Henrietta Maria of France, with their two eldest children, Prince Charles, later King Charles II, standing before his father and Princess Mary in her mother's arms. In the background we glimpse a silhouetted view of Parliament House, Westminster Hall and possibly the Clock Tower.
THE GREATE PEECE
The painting was known as The Greate Peece at the time and Charles hung it prominently in the Palace at Whitehall. What sets the picture apart from other paintings of the period is the apparently effortless way in which Van Dyck seemed able to combine the formal demands of official state portraiture with the informalities of family domesticity. Its size, the acres of shimmering silk and the grand classical column lend the image official gravity. Yet at the same time the King and Queen are seated, Charles has placed his crown on one side and two tiny dogs play between the royal couple. The composition is in essence, a royal conversation piece of a kind that was to be perfected by Johann Zoffany in the mid-18th century.
The influences that are at work in such a painting reveal the true level of Van Dyck as an artist. Only Rubens and Velazquez treated royal sitters with such apparent nonchalance and insight, while the warm colours and dramatic sky bespeak a profound knowledge of Titian. It is interesting to note that the condition of the painting gave cause for concern as early as 1676 because Van Dyck had applied an unusual priming to the canvas.
The painting appears in Pyne's illustrated 'Royal Residences', hanging in the Queen's Presence Chamber at Windsor Castle.
Painted for Charles I. Sold after the King's execution but recovered at the Restoration.
The piece we’re looking at here, however, comes from rather closer to home, having been among the paintings restored to the Royal collection.
Charles I, who had rickets as a child, appears to have overcome his physical infirmity.
He is depicted in this painting as having natural dynastic charm and regal power.
Framed in front of a monumental column (a technique Van Dyck borrowed directly from Titian), his position as monarch is strengthened.
Henrietta Maria looks at him lovingly as he confronts us with a steady gaze. Parliament is silhouetted in the background, reinforcing the idea of his power over Westminster.
The crown, orb and sceptre by his heir’s head emphasise the dynasty, but there remains an informal tenderness to the portrait — in, for example, the way the son touches his father’s knee. Tiny dogs scamper at their feet. The piece has the dual function of being both an official state portrait and a royal conversation piece.
Art for Charles I was a means of gaining regal publicity. In the sheer breadth of his tastes and the exceptional quality of the pictures in this exhibition, there is a pervading, tangible recognition that it was also, ultimately, his passion.
Condition:
In excellent condition the painting and frame having been beautifully cleaned in our workshops, please see photos for confirmation.
CONDITION
Very Good Order after careful cleaning and restoration, re-leafing of frame
FRAME
Set within the original swept decorative gilt frame
FRAMED MEASUREMENTS
Height: 48 Inches ( 122 cm )
Width : 42 Inches ( 106 cm )
DELIVERY
UK : By Fine Art Courier ( Allow 7 Days ) £100
WORLDWIDE : Europe ( Allow 7 Days ) £275
USA & Asia (Allow 7-10 Days ) £375
PAYMENT METHOD
Payment Preferred By Bankers Transfer
TELEPHONE ENQUIRIES : 07547 617528
Quote Stock Ref : CLC/071
SellerHistoric Antique Paintings
View all stock from
Historic Antique Paintings
Private dealer
By appointment only
East Midlands
Leicestershire
Tel : 07547 617528
Non UK callers : +44 7547 617528
WAS £16,850 / NOW REDUCED SUBSTANTIALLY TO £12,850
King Charles I & Henrietta Maria After Sir Anthony Van Dyck
I am delighted to be able to offer for sale this stunning large scale late 18th century oil portrait on canvas which was first painted by Van Dyck in 1632 as his first commission following appointment
as the Court Painter to Charles I and the work showcased his skilful propaganda.
It shows Charles and his Queen, Henrietta Maria of France, with their two eldest children, Prince Charles, later King Charles II, standing before his father and Princess Mary in her mother's arms. In the background we glimpse a silhouetted view of Parliament House, Westminster Hall and possibly the Clock Tower.
THE GREATE PEECE
The painting was known as The Greate Peece at the time and Charles hung it prominently in the Palace at Whitehall. What sets the picture apart from other paintings of the period is the apparently effortless way in which Van Dyck seemed able to combine the formal demands of official state portraiture with the informalities of family domesticity. Its size, the acres of shimmering silk and the grand classical column lend the image official gravity. Yet at the same time the King and Queen are seated, Charles has placed his crown on one side and two tiny dogs play between the royal couple. The composition is in essence, a royal conversation piece of a kind that was to be perfected by Johann Zoffany in the mid-18th century.
The influences that are at work in such a painting reveal the true level of Van Dyck as an artist. Only Rubens and Velazquez treated royal sitters with such apparent nonchalance and insight, while the warm colours and dramatic sky bespeak a profound knowledge of Titian. It is interesting to note that the condition of the painting gave cause for concern as early as 1676 because Van Dyck had applied an unusual priming to the canvas.
The painting appears in Pyne's illustrated 'Royal Residences', hanging in the Queen's Presence Chamber at Windsor Castle.
Painted for Charles I. Sold after the King's execution but recovered at the Restoration.
The piece we’re looking at here, however, comes from rather closer to home, having been among the paintings restored to the Royal collection.
Charles I, who had rickets as a child, appears to have overcome his physical infirmity.
He is depicted in this painting as having natural dynastic charm and regal power.
Framed in front of a monumental column (a technique Van Dyck borrowed directly from Titian), his position as monarch is strengthened.
Henrietta Maria looks at him lovingly as he confronts us with a steady gaze. Parliament is silhouetted in the background, reinforcing the idea of his power over Westminster.
The crown, orb and sceptre by his heir’s head emphasise the dynasty, but there remains an informal tenderness to the portrait — in, for example, the way the son touches his father’s knee. Tiny dogs scamper at their feet. The piece has the dual function of being both an official state portrait and a royal conversation piece.
Art for Charles I was a means of gaining regal publicity. In the sheer breadth of his tastes and the exceptional quality of the pictures in this exhibition, there is a pervading, tangible recognition that it was also, ultimately, his passion.
Condition:
In excellent condition the painting and frame having been beautifully cleaned in our workshops, please see photos for confirmation.
CONDITION
Very Good Order after careful cleaning and restoration, re-leafing of frame
FRAME
Set within the original swept decorative gilt frame
FRAMED MEASUREMENTS
Height: 48 Inches ( 122 cm )
Width : 42 Inches ( 106 cm )
DELIVERY
UK : By Fine Art Courier ( Allow 7 Days ) £100
WORLDWIDE : Europe ( Allow 7 Days ) £275
USA & Asia (Allow 7-10 Days ) £375
PAYMENT METHOD
Payment Preferred By Bankers Transfer
TELEPHONE ENQUIRIES : 07547 617528
Quote Stock Ref : CLC/071
Price The price has been listed in British Pounds.
Conversion rates as of 31/OCT/2024. Euro & Dollar prices will vary and should only be used as a guide.
Always confirm final price with dealer. SOLD
DimensionsFRAMED MEASUREMENTS
Height: 48 Inches ( 122 cm )
Width : 42 Inches ( 106 cm )
Category Antique Pictures / Engravings / Art
> Antique Oil Paintings
Date 1780-1800
Late 18th Century Antiques Material Oil Painting on Canvas
Origin European
Artist Anthony Van Dyck
Condition Very Good Order After Professional Restoration
Item code as970a102 / CLC/071
Status Sold
£0 
$0.00 
€0.00 
$
€
Conversion rates as of 31/OCT/2024. Euro & Dollar prices will vary and should only be used as a guide.
Always confirm final price with dealer. SOLD
Shipping information
Confirmation of delivery is provided by email which includes a courier tracking number and date of posting or collection.
Shipping costs are charged based on the particular service used [ either next day express or economy ] and Size / Weight of item.
Delivery by private courier within the UK Mainland will be used for very large paintings and is charged at a flat rate of £80 for paintings only [ allow 7-14 days delivery time ]
International Delivery Quotes Worldwide are available on request by providing your full name and address together with a postal / area code and a contact number.
Returns are accepted within 14 days of receipt if the item is found to have been misdescribed and the purchaser may be liable for the return costs subject to reasons for return.
Returns authorisation should be requested by sending an e-mail before posting.
Once we receive the item in good order as supplied not withstanding notified transit damage, we will return payment using the same payment method.
Shipping costs are charged based on the particular service used [ either next day express or economy ] and Size / Weight of item.
Delivery by private courier within the UK Mainland will be used for very large paintings and is charged at a flat rate of £80 for paintings only [ allow 7-14 days delivery time ]
International Delivery Quotes Worldwide are available on request by providing your full name and address together with a postal / area code and a contact number.
Returns are accepted within 14 days of receipt if the item is found to have been misdescribed and the purchaser may be liable for the return costs subject to reasons for return.
Returns authorisation should be requested by sending an e-mail before posting.
Once we receive the item in good order as supplied not withstanding notified transit damage, we will return payment using the same payment method.
Terms and conditions
Payment is required within 3 calendar days of the sale being agreed.International transfers are required within 5 days of point of sale.
If payment is not received within this time, Historic Antique Paintings reserves the right to consider selling the item to another customer at its discretion [ unless a longer payment time has been pre-agreed ] and will provide written notice by email before voiding any existing sales agreement.
Payment is preferred by Bankers Transfer or alternatively you are welcome to make payment using Pay-Pal, by Debit / Credit Card or by posting a UK Sterling Cheque drawn on a UK Bank or Building Society [ note goods will only be released once the cheque payment is fully cleared / normally within 3 weekdays or 5 days should a weekend be included.
If payment is not received within this time, Historic Antique Paintings reserves the right to consider selling the item to another customer at its discretion [ unless a longer payment time has been pre-agreed ] and will provide written notice by email before voiding any existing sales agreement.
Payment is preferred by Bankers Transfer or alternatively you are welcome to make payment using Pay-Pal, by Debit / Credit Card or by posting a UK Sterling Cheque drawn on a UK Bank or Building Society [ note goods will only be released once the cheque payment is fully cleared / normally within 3 weekdays or 5 days should a weekend be included.
View all stock from
Historic Antique Paintings
Private dealerBy appointment only
East Midlands
Leicestershire
Tel : 07547 617528
Non UK callers : +44 7547 617528
You may also be interested in
Battle The Plains of Abraham 1759 Red Coats Quebec
Painting Formula One Racing 1955 Monaco Grand Prix
17th century Flemish painting on panel
Vintage Garden Painting, English Oil On Board
Rare naive oil of Pulls Ferry Norwich d1908
Portrait of 'E. Butler' A Gentleman. Dated 1830.
Painting Naive Folk Art Oil On Canvas C1890
Great 17th Century Painting Allegory Of Charity
Oil on Canvas (Hudson Parkin) 'BE STILL'
Oil on Canvas (Gill Storr) 'Blue Waters'
Oil on Canvas Richard John Croft (British 1935)
Jeremy King (british 1933-2020)
Websites for Antiques Dealers
Promote your stock and business
Read our testimonials
Read our testimonials