Contact Seller
Radnorshire Fine Arts Ltd
Tel01597 272 439or07790 208 712Please quote Antiques Atlas.
Original 1940's pin up by Gil Elvgren- American
Original 1940's pin up by Gil Elvgren - American-
Original 1940's pin up by Gil Elvgren American
Original 1940's pin up by Gil Elvgren American 9x7
Original 1940's pin up by Gil Elvgren American
Original 1940's pin Gil Elvgren 9 x 7 inches no copy
DAVID WRIGHT Original 1940's PINUP English artist
Original 1940's PIN-UP David Wright English artist
David Wright Original 1940's PINUP English good
Original 1940's PINUP English artist David Wright
Oak Framed Print of an Army Private
Original 1940's American pin up LARGE SIZE 16 x 12
Non UK callers :
+44 1597 272 439
or +44 7790 208 712
or +44 7790 208 712
Agnes Miller Parker (1895–1980)


Codfish (1929)
Wood engraving on smooth white Japan paper, watermarked Alexandra
Signed and inscribed in pencil Codfish 5/50 1929. - A Miller Parker
Good impression from the edition of 50 signed and numbered proofs, slight abrasion to surface (centre left.)
Mounted
Re Later used as frontispiece in British Handicrafts 1943
Provenance Estate of the artist, thence by descent in the family
Born in Irvine, Ayrshire, and trained at the Glasgow School of Art, Agnes Parker's work is personal and memorable, while her technique is unusally simple, comprising the basic line and the dot typical of copper engravings. Although the majority of her woodcuts were for books, particularly 'The Private Press', there are in existence some prints standing as autonomous works of art, she also engraved some colour blocks. Agnes studied at the Glasgow School of Art from 1911 to 1917, and joined the staff of the School for a short period. she married fellow artist William McCance in 1918 and thereafter passed most of her career in London and southern Britain. In 1955 she moved to Glasgow. She then lived at Lamlash on the Isle of Arran. Parker's early paintings, as well as those of her husband, reflect the short-lived group of artists known as Vorticists, active in London in the 1920s. The main body of her work consists of wood engravings for book illustrations. She illustrated The Fables of Aesop (1931), Through the Woods by H. E. Bates (1936), The Open Air by Richard Jefferies (edited by Samuel J. Looker, 1949) and her most acclaimed work, Elegy Written in a Country Churchyard by Thomas Gray (1938), titles for the Limited Editions Club of New York and editions of the works of Shakespeare and Thomas Hardy. She died in 1980 at Greenock. PAYMENT OPTIONS
Cards, Apple Pay and Google Pay can be processed through Stripe on our company website. We also accept payment by cheque and bank transfer. We offer two methods of paying by instalments the first is with Stripe, 'Klarna' / Pay in 3 monthly interest free instalments. Deferred payments can also be accepted over an agreed period of time whilst paintings remain with us, this method is also interest free. With Stripe the item will be shipped after the first instalment has cleared.
CONDITION AND PRESENTATION
If a picture is shown to be framed, then the frame will be included with the sale of the picture. All the pictures we offer are available for purchase in the condition you see them advertised. More details including high resolution images can be sent for closer inspection. For added protection unframed and mounted pictures are wrapped in clear polyester film before shipping to the customer.
SellerRadnorshire Fine Arts Ltd
View all stock from
Radnorshire Fine Arts Ltd

Private dealer
By appointment only
Powys
Mid Wales
Tel : 01597 272 439
or : 07790 208 712
Non UK callers : +44 1597 272 439 or +44 7790 208 712
Wood engraving on smooth white Japan paper, watermarked Alexandra
Signed and inscribed in pencil Codfish 5/50 1929. - A Miller Parker
Good impression from the edition of 50 signed and numbered proofs, slight abrasion to surface (centre left.)
Mounted
Re Later used as frontispiece in British Handicrafts 1943
Provenance Estate of the artist, thence by descent in the family
Born in Irvine, Ayrshire, and trained at the Glasgow School of Art, Agnes Parker's work is personal and memorable, while her technique is unusally simple, comprising the basic line and the dot typical of copper engravings. Although the majority of her woodcuts were for books, particularly 'The Private Press', there are in existence some prints standing as autonomous works of art, she also engraved some colour blocks. Agnes studied at the Glasgow School of Art from 1911 to 1917, and joined the staff of the School for a short period. she married fellow artist William McCance in 1918 and thereafter passed most of her career in London and southern Britain. In 1955 she moved to Glasgow. She then lived at Lamlash on the Isle of Arran. Parker's early paintings, as well as those of her husband, reflect the short-lived group of artists known as Vorticists, active in London in the 1920s. The main body of her work consists of wood engravings for book illustrations. She illustrated The Fables of Aesop (1931), Through the Woods by H. E. Bates (1936), The Open Air by Richard Jefferies (edited by Samuel J. Looker, 1949) and her most acclaimed work, Elegy Written in a Country Churchyard by Thomas Gray (1938), titles for the Limited Editions Club of New York and editions of the works of Shakespeare and Thomas Hardy. She died in 1980 at Greenock. PAYMENT OPTIONS
Cards, Apple Pay and Google Pay can be processed through Stripe on our company website. We also accept payment by cheque and bank transfer. We offer two methods of paying by instalments the first is with Stripe, 'Klarna' / Pay in 3 monthly interest free instalments. Deferred payments can also be accepted over an agreed period of time whilst paintings remain with us, this method is also interest free. With Stripe the item will be shipped after the first instalment has cleared.
CONDITION AND PRESENTATION
If a picture is shown to be framed, then the frame will be included with the sale of the picture. All the pictures we offer are available for purchase in the condition you see them advertised. More details including high resolution images can be sent for closer inspection. For added protection unframed and mounted pictures are wrapped in clear polyester film before shipping to the customer.
Price The price has been listed in British Pounds.
Conversion rates as of 26/MAY/2026. Euro & Dollar prices will vary and should only be used as a guide.
Always confirm final price with dealer. SOLD
DimensionsSheet 240 mm. x 180 mm.
Image 157 mm. x 105mm.
Mount 426 mm. x 311 mm.
Category Antique Pictures / Engravings / Art
Date 1928
1920s Antiques Material Paper
Origin British
Artist Agnes Miller Parker
Condition slight abrasion to surface (centre left.)This print has been cleaned and mounted by an accredites paper conservator
Item code as176a382
Status Sold
£0 
$0.00 
€0.00 

$

€

Conversion rates as of 26/MAY/2026. Euro & Dollar prices will vary and should only be used as a guide.
Always confirm final price with dealer. SOLD
Shipping information
All our prices include FREE packing and delivery within the UK.
If you live outside the UK and you wish to purchase a painting, please contact us by phone or e-mail for further details concerning shipping costs.
If you live outside the UK and you wish to purchase a painting, please contact us by phone or e-mail for further details concerning shipping costs.
Terms and conditions
Returns and Complaints
Great care and trouble has been taken to ensure that all details written for every picture are correct and the photos are of sufficient quality so that each item can be viewed in detail. If the purchaser can find a fault (by way of a photograph) as proof of damage in transit that is not present in our promotional photo i.e. a tear in the canvas, broken glass, broken frame, damage to surface of picture, then a full or part refund will be offered back to the purchaser depending on the extent of the damage. This will only apply within 24 hours of signing for the parcel.
If the parcel has arrived and appears to be damaged in some way please return the parcel to us (unopened) and we will refund the purchase price on receipt of the picture.
If the purchaser can prove with written evidence from three independent experts that our description was false or misleading in any way then a full refund will be offered back to the purchaser.
Every effort has been made to give our clients complete confidence and satisfaction when buying from our company.
Great care and trouble has been taken to ensure that all details written for every picture are correct and the photos are of sufficient quality so that each item can be viewed in detail. If the purchaser can find a fault (by way of a photograph) as proof of damage in transit that is not present in our promotional photo i.e. a tear in the canvas, broken glass, broken frame, damage to surface of picture, then a full or part refund will be offered back to the purchaser depending on the extent of the damage. This will only apply within 24 hours of signing for the parcel.
If the parcel has arrived and appears to be damaged in some way please return the parcel to us (unopened) and we will refund the purchase price on receipt of the picture.
If the purchaser can prove with written evidence from three independent experts that our description was false or misleading in any way then a full refund will be offered back to the purchaser.
Every effort has been made to give our clients complete confidence and satisfaction when buying from our company.
View all stock from
Radnorshire Fine Arts Ltd

Private dealerBy appointment only
Powys
Mid Wales
Tel : 01597 272 439
or : 07790 208 712
Non UK callers : +44 1597 272 439 or +44 7790 208 712
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