Radnorshire Fine Arts Ltd

Description

Robert Jacks (Australian, 1943-2014). Puissant Conjecture.

Mixed media on canvas Signed by the artist and inscribed with the title on the back of the canvas, with the price $100. The frame appears to be the original.

Canvas: 10 5/8 x 8 7/8 in. (27 x 22.8 cm.)
Frame: 11 x 9 3/8 in. (27.9 x 23.4 cm.)

This artwork appears to be related to the painting by Jacks titled : Beyond the outsider (1968), synthetic polymer paint on canvas 131.0 x 122.0 cm. National Gallery of Victoria, Melbourne.

Jacks was born in Melbourne, Australia and after a brief stint as a boxer began studying sculpture from 1958 to 1960 at the Prahran Technical College, Melbourne, then painting in 1961 and 1962 at the Royal Melbourne Institute of Technology (now RMIT University).

In 1966 he had his first solo exhibition at Gallery A, Melbourne from which a work was purchased for the collection of the National Gallery of Victoria. In 1968, he participated in The Field, held at the new National Gallery of Victoria building in St Kilda Road, an influential exhibition which effectively launched 'colour field' abstraction in Australia.

He taught at Rochdale College, Toronto, before moving to a studio at 96 Greene Street, Soho in 1969, where he associated with Melbourne expatriate John Stringer at the Museum of Modern Art, artists John Davis, Ian Burn, Mel Ramsden and the gallerist Max Hutchison, as well as American minimalist and avant-garde artists such as Sol LeWitt and Brice Marden. Ian Burn noted in September 1970, that Jacks’ ‘recent work in New York has moved beyond painting into conceptualized presentation of numeral systems and serial techniques.’

Jacks returned to Melbourne in 1978 to be artist-in-residence at the University of Melbourne.
The winner of many art awards and prizes, he has exhibited consistently in Australia since 1966 in more than 50 solo exhibitions, including retrospectives. In 2001 the Bendigo Art Gallery established the Robert Jacks Drawing Prize. In 2006, he was named an Officer of the Order of Australia (AO).

His mature work, while emerging out of the international abstract 'colour field' movement of the late '60s, retains an ambiguous link to the representation of appearances, especially of objects in space.

“I think my work has always been minimal and abstract because when I was being taught sculpture, it was expressed in abstract terms. Form in space, mass and volume - that sort of thing. Painting, for me, is an extension of sculptural ideas.”

In the latter part of his life Jack lived in Harcourt and died from complications of asthma at Castlemaine Hospital.

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CONDITION AND PRESENTATION
If a picture is shown to be framed, then the frame will be included with the sale of the picture. All the pictures we offer are available for purchase in the condition you see them advertised. More details including high resolution images can be sent for closer inspection. For added protection unframed and mounted pictures are wrapped in clear polyester film before shipping to the customer.