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Greystones Fine Interiors
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PAUL IRIBE 1931 original French Lithograph Good
PAUL IRIBE 1931 original French Lithograph Good
Pair of Lithographs - after Sheouak Petaulassie
Signed Lindsay McCrea Ltd ed. print of Edinburgh
Original 1940's pin up by Gil Elvgren not a copy
Bernard Buffet – L'Église San Giorgio à Venise
Mid Century Lithograph by Claude Weisbuch
Original John Gould lithograph from Birds of Asia
Original John Gould lithograph from Birds of Asia
Original John Gould lithograph from Birds of Asia
Original John Gould lithograph from Birds of Asia
Original John Gould lithograph from Birds of Asia
Non UK callers :
+44 7425 298868
Bignonia Venusta Chromolithograph. Robinson. 1871
This is an vibrant and truly wonderful plate of the flamevine (also known as the organe trumpetvine) from the genus Pytostegia - originally from Brazil. This vigorous, tendril forming, climber has slender evergreen stems bearing compound dark green leaflets and clusters of tubular, orange-red to golden-yellow flowers. The plate is astonishingly well observed, its toning and intricate (almost scientific) detailing is exceptional.
This wonderful, nearly 150 years old, chromolithograph was commissioned in the Late 19th Century for William Robinson’s ‘The Garden’ magazine. The illustration approach taken for the periodical was far more ‘romantic’, ‘sensual’ and ‘artistic’ when compared to more scientific (whole plant observation) artwork approach seen in other Botanical volumes of the time. The plates have the most MAGNIFICENT depth of colour and texture, they are simply wonderful investment pieces. The plate offered here is an extremely rare one, 'The Garden' would have been an expensive periodical with each edition limited to 100 or so copies, the vast majority of which would have been lost and destroyed as time and wars have passed. This plate is almost certainly one of just a few still in existence.
Chromolithograph Orientation: Portrait/Vertical.
Chromolithographs Dimensions: 22cm wide by 29cm tall.
Frame Dimensions: 40cm wide by 46cm tall, with 4cm depth.
About William Robinson:
He was born in Ireland in 1838 and studied horticulture at the National Botanic Gardens at Glasnevin near Dublin. He went on to become a most influential and respected gardener and horticultural writer. He was a formidable character, hot tempered and outspoken but also energetic and diligent with a classic Victorian zeal for reform. In 1861, he moved to London and spent some time working in Regent’s Park.
Robinson had an aversion to strait-laced garden design lamenting that the age of the Industrial Revolution was putting nature at risk from contemporary taste. He was influenced by the Arts & Crafts movement, led by John Ruskin and William Morris who were against poor design and mass production a direct result of the Industrial Revolution, and who sought to encourage the revitalisation of traditional English handicrafts.
In 1870 Robinson published two works, “Alpine Flowers for Gardens’ and ‘The Wild Garden’. In 1871 he launched a weekly journal ‘The Garden’ which enabled him to reach out to a wider audience with his naturalistic approach to gardening – the chromolithograph offered here was originally produced for the Garden Magazine.
About Chromolithographs:
Chromolithography is a unique method for making multi-colour prints which became the most successful method of colour printing developed by the 19th Century. The initial technique involved the use of multiple lithographic stones, one for each colour, and whilst extremely expensive was used for the best quality results. Depending on the number of colours present, a chromolithograph could take even very skilled workers months to produce. To make this, expensive, reproduction which was once referred to as a 'chromo' a lithographer, with a finished painting in front of him,
Framing:
This beautiful chromolithograph has been professionally remounted in a bespoke handmade and hand-finished old gold frame (has simply wonderful oxidation and warm gold tones), the confidently proportioned off-white mount is decorated, and a fine and delicate gold beading has been used as a sophisticated contrast to the plate. All materials used are of archival quality and acid free. The glass is museum quality with low reflection, amazing colour transparency and high U.V. absorption to protect the works. The quality materials and expert techniques used will ensure your artwork is protected for many, many years to come.
SellerGreystones Fine Interiors
View all stock from
Greystones Fine Interiors
Private dealer
by appointment only
Near Peterborough
Cambridgeshire
Tel : 07425 298868
Non UK callers : +44 7425 298868
This wonderful, nearly 150 years old, chromolithograph was commissioned in the Late 19th Century for William Robinson’s ‘The Garden’ magazine. The illustration approach taken for the periodical was far more ‘romantic’, ‘sensual’ and ‘artistic’ when compared to more scientific (whole plant observation) artwork approach seen in other Botanical volumes of the time. The plates have the most MAGNIFICENT depth of colour and texture, they are simply wonderful investment pieces. The plate offered here is an extremely rare one, 'The Garden' would have been an expensive periodical with each edition limited to 100 or so copies, the vast majority of which would have been lost and destroyed as time and wars have passed. This plate is almost certainly one of just a few still in existence.
Chromolithograph Orientation: Portrait/Vertical.
Chromolithographs Dimensions: 22cm wide by 29cm tall.
Frame Dimensions: 40cm wide by 46cm tall, with 4cm depth.
About William Robinson:
He was born in Ireland in 1838 and studied horticulture at the National Botanic Gardens at Glasnevin near Dublin. He went on to become a most influential and respected gardener and horticultural writer. He was a formidable character, hot tempered and outspoken but also energetic and diligent with a classic Victorian zeal for reform. In 1861, he moved to London and spent some time working in Regent’s Park.
Robinson had an aversion to strait-laced garden design lamenting that the age of the Industrial Revolution was putting nature at risk from contemporary taste. He was influenced by the Arts & Crafts movement, led by John Ruskin and William Morris who were against poor design and mass production a direct result of the Industrial Revolution, and who sought to encourage the revitalisation of traditional English handicrafts.
In 1870 Robinson published two works, “Alpine Flowers for Gardens’ and ‘The Wild Garden’. In 1871 he launched a weekly journal ‘The Garden’ which enabled him to reach out to a wider audience with his naturalistic approach to gardening – the chromolithograph offered here was originally produced for the Garden Magazine.
About Chromolithographs:
Chromolithography is a unique method for making multi-colour prints which became the most successful method of colour printing developed by the 19th Century. The initial technique involved the use of multiple lithographic stones, one for each colour, and whilst extremely expensive was used for the best quality results. Depending on the number of colours present, a chromolithograph could take even very skilled workers months to produce. To make this, expensive, reproduction which was once referred to as a 'chromo' a lithographer, with a finished painting in front of him,
Framing:
This beautiful chromolithograph has been professionally remounted in a bespoke handmade and hand-finished old gold frame (has simply wonderful oxidation and warm gold tones), the confidently proportioned off-white mount is decorated, and a fine and delicate gold beading has been used as a sophisticated contrast to the plate. All materials used are of archival quality and acid free. The glass is museum quality with low reflection, amazing colour transparency and high U.V. absorption to protect the works. The quality materials and expert techniques used will ensure your artwork is protected for many, many years to come.
Price
Click here to message the seller The price has been listed in British Pounds.
Conversion rates as of 12/DEC/2024. Euro & Dollar prices will vary and should only be used as a guide.
Always confirm final price with dealer.
Category Antique Pictures / Engravings / Art
> Antique Lithographs
Date 1871-1881
Late 19th Century Antiques Material Paper
Origin English
Item code as1081a179
Status For Sale
£155.00 
$196.70
€187.80
$196.70
€187.80
Looking to Buy?
Arrange a final price and delivery details directly with the dealerClick here to message the seller
Conversion rates as of 12/DEC/2024. Euro & Dollar prices will vary and should only be used as a guide.
Always confirm final price with dealer.
View all stock from
Greystones Fine Interiors
Private dealerby appointment only
Near Peterborough
Cambridgeshire
Tel : 07425 298868
Non UK callers : +44 7425 298868
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Pair of Lithographs - after Sheouak Petaulassie
Signed Lindsay McCrea Ltd ed. print of Edinburgh
Original 1940's pin up by Gil Elvgren not a copy
Bernard Buffet – L'Église San Giorgio à Venise
Mid Century Lithograph by Claude Weisbuch
Original John Gould lithograph from Birds of Asia
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